Behind the magic of the ëƵLion KingëƵ puppetry
When ëƵThe Lion KingëƵ takes the stage at the Benedum Center starting next Wednesday, audiences will quickly understand why the production has captivated theatergoers for decades.
Beyond the talented singers, actors and dancers are the creative professionals working behind the scenes to bring the spectacle to life. One of those individuals is Michael Reilly, the puppet supervisor who helps ensure that every lion, elephant and giraffe moves with the precision and artistry audiences have come to expect.
Decades of experience
For a profession Reilly says he ëƵfell into,ëƵ he has certainly mastered it.
ëƵI went to a technical school because I love working with my hands,ëƵ he said. That passion led him to theater, where he worked as a costume assistant on the original Toronto production of ëƵCats.ëƵ
From there he worked on such productions as ëƵThe Phantom of the Opera,ëƵ ëƵMiss SaigonëƵ and ëƵLes MisérablesëƵ and more. He has been with ëƵThe Lion KingëƵ since 2000.
Today, Reilly oversees eight different styles of puppetry, including full-body puppets, multi-person puppets and what is known as Pumbaa puppetryëƵa complex puppet that weighs 45 pounds and is worn like a backpack, resting partially on the performerëƵs shoulders.
The overseer
ItëƵs ReillyëƵs job to oversee 230 puppets in the show.
ëƵI fix, repair and repaint as necessary,ëƵ he said, giving credit to Julie Taymor and Michael Curry, who designed the costumes.
TaymorëƵs innovative work earned her a Tony Award for Best Direction of a Musical, making her the first woman to win the honor in that category.
ëƵIt took them an entire year to finish them,ëƵ Reilly said, explaining that the designers had to translate the animated characters into a live stage experience by studying how animals move.
The creative team also understood that the characters would work well as animal/human hybrids.
ëƵIt allows them to switch back and forth. Mufasa talks to Simba as a human, for instance,ëƵ Reilly said.
Wardrobe malfunctions
Thinking on oneëƵs feet and keeping oneëƵs head when characters are losing theirs is just part of the job.
ëƵHeads have come loose, legs have fallen off. IëƵve seen all of it,ëƵ he said.
Reilly emphasizes the importance of being on time because the wow factor begins almost immediately.
ëƵWe start off with the song, ëƵThe Circle of Life,ëƵ where 50 puppets are onstage at the same time. You canëƵt miss it,ëƵ he said.
One of the most memorable malfunctions transpired at the very beginning of the show, necessitating a quick save by actors. An elephant walked down the aisle then attempted to climb the stairs. It fell over, leaving the four people inside unable to get up.
Fortunately, the performers carrying the birds jumped in to save the day.
ëƵThey managed to grab the puppet by the spine and lift it back onto the stairs,ëƵ said Reilly.
Physically demanding
None of the actors, singers and dancers brought on were hired as puppeteers, according to Reilly.
ëƵWe teach them,ëƵ Reilly said. ëƵThere are lots of heavy dance numbers, along with tons of choreography and training.ëƵ
Performers must learn how to communicate emotions through the puppetëƵs movement.
ëƵThatëƵs a very important thing they learn in rehearsal,ëƵ he said.
The suspension of disbelief
One of ReillyëƵs favorite parts of production is the willing suspension of disbelief.
ëƵIn our show, many members of the audience start out viewing the characters as humans. Then, because our cast is so masterful, they begin viewing the inanimate objects as the characters,ëƵ he said. ëƵIt surprises some people.ëƵ
Children, in particular, connect with Simba and NalaëƵs journey as they learn bravery and get into trouble along the way.
After all these years, Reilly still finds something special in the production.
ëƵThereëƵs so much there,ëƵ he said. ëƵI think thereëƵs something for everyone. ItëƵs one of the greatest shows on Broadway. If you donëƵt like musicals, youëƵll love itëƵand if you do, you will.ëƵ
ëƵThe Lion KingëƵ will be at the Benedum Center through Sept. 27. For information, go online to trustarts.org.

