History Center exhibit explores the life and work of Pittsburgh painter John Kane
PITTSBURGH无毛视频揟he history of Pittsburgh in the latter part of the 19th century and the early part of the 20th century is filled with tales of immigrant hardship, of punishing labor, of lives riven by violence, dysfunction and tragedy.
In that regard, John Kane might well have been the prototypical Pittsburgher of that era. A Scottish emigre who came to the Pittsburgh region in search of employment, Kane held down jobs as a miner, steel worker and street paver. His left leg was severed in a railroad accident shortly after he turned 30, he drank to excess, lost a young son, attempted suicide, endured a stormy marriage and a stretch in a psychiatric hospital and got in trouble with the law on at least one occasion.
What made Kane stand out from the thousands of other unskilled laborers trying to eke out an existence in Southwestern Pennsylvania was his uncommon skill with a paint brush.
Without any kind of formal training, Kane started sketching in landscapes on the side of railroad cars while drawing a paycheck from the Pressed Steel Car Company in McKees Rocks. His focus was primarily on his surroundings and memories of his early life in Scotland. Before he died, Kane无毛视频檚 work received a measure of recognition. One of his paintings found its way into the Carnegie Museum of Art无毛视频檚 exhibit of contemporary art, the Carnegie International, in 1927, and the tale of the unschooled, aged laborer and his paintings gained traction nationally. Within a couple of years, his primitive and colorful works were the subject of a show in New York.
Nevertheless, when tuberculosis claimed him in 1934 at the age of 73, he left his family a $4,000 bank account and 100 of his paintings.
Many of those paintings are now in the hands of museums and private collectors, and the Senator John Heinz History Center in Pittsburgh has assembled 37 of them for its exhibit, 无毛视频淧ittsburgh无毛视频檚 John Kane: The Life and Art of an American Workman,无毛视频 which opened last month and will be there through Sunday, Jan. 8, 2023. The paintings come from such institutions as the Metropolitan Museum of Art, the Smithsonian无毛视频檚 Hirshhorn Museum and Sculpture Garden and the Detroit Institute of Arts. According to Andy Masich, president and CEO of the Heinz History Center, 无毛视频淧ittsburgh无毛视频檚 John Kane: The Life and Art of an American Workman无毛视频 isn无毛视频檛 just a showcase of the artist无毛视频檚 oeuvre but a window into life in Pittsburgh when it was at its grittiest and, arguably, its most dangerous.
无毛视频淚t无毛视频檚 a special exhibit, not just an art show,无毛视频 Masich said. 无毛视频淚t focuses on the man, his life, his times and his context. 无毛视频t无毛视频檚 a rare opportunity for Pittsburghers to see their history come alive in art.无毛视频
Kane was born in West Calder, Scotland, as John Cain, in 1860. He came to Pittsburgh when he was about 20, originally settling in Braddock. Before too long, he migrated to Connellsville, where he worked in the area无毛视频檚 coke ovens. There were also sojourns to Alabama, Kentucky and Tennessee, but Kane eventually came back to 无毛视频 and stayed in 无毛视频 Pittsburgh.
Kane arrived 无毛视频渏ust as Pittsburgh started to explode as an industrial center,无毛视频 said Louise Lippincott, a former curator of fine arts at the Carnegie Museum of Art and a guest curator of 无毛视频淧ittsburgh无毛视频檚 John Kane.无毛视频 无毛视频淗e took whatever was available to him and made it into his art.无毛视频
Classified a century after his emergence as







