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Music review: Elvis Costello – ëƵThe Boy Named IfëƵ

By Clint Rhodes for The 2 min read
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Rhodes

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Elvis Costello - ëƵThe Boy Named IfëƵ

It all started back in 1977 with 13 gritty tracks of punk passion from a nerdy-looking English musician resembling Buddy Holly.

ëƵMy Aim Is TrueëƵ was infectious, witty, cynical and empowering as a vigorous expression of youthful angst. With his dynamic debut, Elvis Costello became one of the voices for a new generation eager to find a place to fit in as part of a turbulent and confusing world.

Forty-five years later, Costello is still up to his old tricks with the release of his 32nd studio album. Recorded remotely with the Imposters, ëƵThe Boy Named IfëƵ finds Costello dishing out another 13 tracks that spotlight his lyrical wit and keen observations about navigating lifeëƵs unexpected turns.

ëƵIëƵm a lucky so and so/A fortunate stiff,ëƵ announces Costello on the title track as if to prove the more things change, the more they stay the same.

For the new material, 67-year-old Costello crafts a musical collection that focuses on the awkward period when we have to put aside childish ways in an effort to prepare for more mature endeavors.

ëƵFarewell, OKëƵ opens the set as a rousing split-up number that rings of disappointment and frustration as Costello robustly declares, ëƵI thought youëƵd change/And get a little humble/You strike your strange disposition like a drummer hits a cymbal.ëƵ

ëƵMy Most Beautiful MistakeëƵ features a guest appearance by Nicole Atkins. ItëƵs a common tale about a struggling waitress with bigger ambitions being charmed by a customer offering fame and fortune. Ultimately, itëƵs a risky cat-and-mouse game that is sure to end badly for everyone involved.

Being a huge fan of CostelloëƵs 1998 collaboration with Burt Bacharach on ëƵPainted from Memory,ëƵ the piano-led ëƵPaint the Red Rose BlueëƵ depicts the same simplistic vulnerability about a disappointing relationship. It showcases CostelloëƵs heartfelt vocals with him softy singing, ëƵThe words that came to him/Both the lies and the threats/They arrived all too easily.ëƵ

From the whimsical charm of ëƵPenelope HalfpennyëƵ to the menacing tone of ëƵMagnificent HurtëƵ to the tender crooning offered on ëƵMr. Crescent,ëƵ Costello demonstrates that his aim is still indeed true after all these years.

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