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Music review: Ozzy Osbourne – ëƵOrdinary ManëƵ

By Clint Rhodes for The 3 min read
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Music review: Ozzy Osbourne - ëƵOrdinary ManëƵ
2 / 2

Rhodes

On his first solo album since 2010ëƵs ëƵScream,ëƵ Ozzy Osbourne continues to dwell into the darkness that has served him so well over his legendary career.

Considering his recent health setbacks, OsbourneëƵs new material carries a large emphasis on mortality and living a life of purpose.

The 71-year-old rocker still sounds strong as he packs a substantial punch along with the help of Guns NëƵ Roses bassist Duff McKagan and Red Hot Chili Peppers drummer Chad Smith.

The opener finds Osbourne returning to his early Black Sabbath roots with a nod to ëƵSweet LeafëƵ from 1971ëƵs ëƵMaster of Reality.ëƵ Conveying an unrelenting energy through an ominous warning that details the destruction of drug addiction, ëƵStraight to HellëƵ features a guest appearance by Guns NëƵ Roses guitarist Slash.

The power ballad ëƵAll My LifeëƵ follows with a hefty dose of self-reflection as Osbourne looks to make amends for actions from his past as he declares, ëƵHeaven can take me/But no one can save me from hell again.ëƵ

On ëƵGoodbye,ëƵ Osbourne takes stock in the totality of his career and his musical contributions as he sings, ëƵThe crowd is still waiting/I took my final bow.ëƵ In light of his recent tour cancellations, itëƵs not that surprising of an announcement that possibly itëƵs time to retire from a life on the road.

The title track spotlights a duet with Elton John on a sweeping ballad that outlines the unpreparedness of becoming a rock star and the uncertainty of wondering what legacy will be left behind. The track features lush orchestration and another solo by Slash.

ëƵToday Is the EndëƵ possesses a Metallica vibe as it serves as a searing social commentary on the way we spend more time focused on criminals as opposed to their victims.

Things get chaotic in a hurry on ëƵItëƵs a Raid.ëƵ This rowdy punk-influenced track finds Post Malone joining Osbourne for a profanity-laced tirade that seems more suitable for a Wasted Youth or Anti-Flag album.

ëƵTake What You WantëƵ closes the set in a curious manner with Osbourne, Malone and Travis Scott collaborating on the track that also appears on MaloneëƵs third studio album. ItëƵs a decent song that just feels out of place on an Osbourne offering that showcases some of his best solo work in a long time and reminds Osbourne fans that ordinary is something he could never be.

Clint Rhodes is the ëƵ-Standard music reviewer. He can be reached at clinton43@me.com.

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