Music review: Elton John – ëƵLive from Moscow 1979ëƵ
As a huge Elton John fan, I was delighted to learn that his latest release would be of his performance at MoscowëƵs Rossiya Hall in 1979.
John delivers a captivating performance as he masterfully engages the crowd with his piano wizardry, heartfelt vocals and poignant lyrics, penned with writing genius Bernie Taupin.
Broadcasted at the time by BBC Radio 1, the recording has been remastered to stunningly capture the landmark event with a 16-song set that contains tracks from some of his best albums like 1969ëƵs ëƵEmpty Sky,ëƵ 1972ëƵs ëƵHonky Chateau,ëƵ 1973ëƵs ëƵDonëƵt Shoot Me IëƵm Only the Piano PlayerëƵ and ëƵGoodbye Yellow Brick Road.ëƵ
As one of the first Western rock stars to appear behind the Iron Curtain, John considerably tones down his flamboyant live show by performing one set alone with only his Steinway grand piano and electric Yamaha CP80. Ray Cooper, JohnëƵs longtime percussionist, provides additional accompaniment as part of a stirring second set for the adoring Russian fans.
A touching offering of ëƵDanielëƵ opens the album and gently prepares the audience for the beauty and elegance to follow.
The true brilliance of John is witnessed during his moving versions of ëƵTake Me to the Pilot,ëƵ ëƵRocket ManëƵ and ëƵDonëƵt Let the Sun Go Down on Me.ëƵ
The first set closes with the heartbreaking tribute to Marilyn Monroe on ëƵCandle in the WindëƵ and a surprising cover of ëƵI Heard It Through the Grapevine.ëƵ
The second act contains some of my all-time favorite John and Taupin creations. ëƵFuneral for a FriendëƵ still manages to give me goosebumps every time I hear its graciously haunting farewell serenade and the vulnerability and hurt described on ëƵTonightëƵ is simply magical.
The addition of ëƵBetter Off DeadëƵ is a delicious treat. Originally from ëƵCaptain Fantastic and the Brown Dirt Cowboy,ëƵ this track is a featured number on the 1975 masterpiece carefully crafted by John and Taupin during the height of their success.
John pleases the crowd with a closing medley that consists of ëƵCrocodile Rock,ëƵ ëƵGet BackëƵ and ëƵBack in the U.S.S.R.ëƵ
Hopefully, the audience that day knew just how lucky they were to be in the presence of musical royalty.
Clint Rhodes is the ëƵ-Standard music reviewer. He can be reached at clinton43@me.com.

