ëƵ

close

Music review: Kim Wilde – ëƵHere Come the AliensëƵ

By Clint Rhodes for The 2 min read
article image -

Listening to the new album from Kim Wilde, I was pleasantly transported back to 1981 and reminded of the events that left a lasting impression on our culture.

That fateful year saw the release of Steven SpielbergëƵs ëƵRaiders of the Lost Ark,ëƵ the production of the first DeLorean DMC-12 and Ronald Reagan becoming the 40th President of the United States.

We also witnessed the grand wedding of Prince Charles and Lady Diana Spencer as well as the television launch of MTV. I was a junior in high school that year and recall WildeëƵs ëƵKids in AmericaëƵ capturing my attention with its dramatic synth opening and poppy beat that sounded like a cool blending of Gary Numan and the Go-GoëƵs.

Thirty-seven years later, the British bombshell delivers her 14th studio album and still sounds as vibrant and vivacious as she did back on her self-titled debut.

ëƵHere Come the AliensëƵ sports one the best album covers IëƵve seen in quite a while. It also has an interesting story to match the retro artwork. Inspired by a close encounter of her own, Wilde opens the album with a heavy dose of synth-pop by singing, ëƵI know theyëƵre hiding out there somewhere in the galaxy.ëƵ She goes on to announce that she knows that aliens from space are watching us and offers a promising outcome by declaring, ëƵMaybe theyëƵll save us from the apocalypse when it comes.ëƵ

WildeëƵs vocals carry the nostalgic vibe of the ëƵ80s from beginning to end as the 57-year-old singer channels the sexiness of BerlinëƵs Terri Nunn on the sensual ëƵAddicted to YouëƵ and ëƵStereo ShotëƵ and the street toughness of BlondieëƵs Debbie Harry with the guitar-driven ëƵKandy KrushëƵ and rousing ëƵBirthday.ëƵ

Other highlights include the grim reality detailed on ëƵCyber Nation War,ëƵ the pure pop perfection offered on ëƵPop DonëƵt StopëƵ and the youthful energy delivered on ëƵRock the Paradiso.ëƵ

ëƵHere Come the AliensëƵ is a marvelous example of something old being new once again.

Clint Rhodes is the ëƵ-Standard music reviewer. He can be reached at clinton43@me.com.

CUSTOMER LOGIN

If you have an account and are registered for online access, sign in with your email address and password below.

NEW CUSTOMERS/UNREGISTERED ACCOUNTS

Never been a subscriber and want to subscribe, click the Subscribe button below.

Starting at /week.