ëƵ

close

Music review: Jeremy Messersmith – ëƵLate Stage CapitalismëƵ

By Clint Rhodes for The 3 min read
article image -

ëƵI have a knack for awkward silences,ëƵ announces Jeremy Messersmith on ëƵPurple Hearts,ëƵ the opening track from his latest release ëƵLate Stage Capitalism.ëƵ

The albumëƵs first single playfully describes the uncomfortable feeling of a first date that is quickly going nowhere with Messersmith declaring, ëƵWeëƵre off to an awful start/Proudly showinëƵ off our purple hearts.ëƵ

The creative indie-pop artist successfully integrates elements of everyday life on 11 casual tracks of glorious infectious pop.

ëƵMonday, YouëƵre Not So BadëƵ finds Messersmith pondering the virtues of the dreaded first day of the work week with a whimsical vibe that sounds like a blending of the Monkees, Fountains of Wayne and the Mamas and the Papas casually hanging out in your living room for an impromptu jam session.

Much of the material possesses a nostalgic feel of the 1960s and could have easily been produced by the likes of Brian Wilson with its simplistic tales of navigating life and finding joy and satisfaction by not taking things too seriously.

The sleek sophistication of ëƵPostmodern GirlëƵ evokes the bossa nova stylings of ëƵThe Girl from IpanemaëƵ with added splashes of vintage Burt Bacharach and his suave melodies.

The opening notes of ëƵHappyëƵ follow the same recognizable introduction of ëƵGood VibrationsëƵ before Messersmith injects his views about compulsively making numerous purchases to find fulfillment when money might be short but time is abundant. As a result of our consumerism, the realization that money can somehow buy happiness is pondered as Messersmith confesses, ëƵEverything that I hold owns a piece of me.ëƵ

The gentle ballad ëƵDonëƵt Call It LoveëƵ finds Messersmith reflecting on past relationships that have faded, resulting in the hesitance to attach the four-letter word to a budding romance by simply calling it an infatuation or a full-time fling.

ëƵNo Superheroes in ClevelandëƵ closes the set with the amusing observation that all the superheroes and villains have hastily left town for the more glamorous digs of New York and Los Angeles, leaving residents to go about their day in a state of normalcy without all the hype and fanfare.

ThereëƵs certainly something to be said for living a quiet life as Messersmith crafts a delightful soundtrack that allows all of us to play pretend superhero in our own little world.

Clint Rhodes is the ëƵ-Standard music reviewer. He can be reached at clinton43@me.com.

CUSTOMER LOGIN

If you have an account and are registered for online access, sign in with your email address and password below.

NEW CUSTOMERS/UNREGISTERED ACCOUNTS

Never been a subscriber and want to subscribe, click the Subscribe button below.

Starting at /week.