Music review: David Byrne – ëƵAmerican UtopiaëƵ
David Byrne has always had an interesting way at looking at the world.
As the quirky frontman for the Talking Heads, Byrne has entertained and amused fans with peculiar and thought-provoking arrangements such as ëƵPsycho Killer,ëƵ ëƵOnce in a Lifetime,ëƵ ëƵSlippery People,ëƵ ëƵLife During WartimeëƵ and ëƵGirlfriend Is Better.ëƵ
One of my fondest memories from my college years involved taking a January weekend trip to Chicago and having the opportunity to catch the movie ëƵStop Making SenseëƵ in the theater. Considered one of the better concert films made, my appreciation for Byrne and the Talking Heads was realized on that fateful evening while absorbing the various sights and sounds of the performance delivered by the innovative band consisting of Byrne on guitar and vocals, Chris Frantz on drums, Tina Weymouth on bass and Jerry Harrison on keyboards.
That was then. This is now.
ëƵAmerican UtopiaëƵ is ByrneëƵs first solo release in 14 years and features Brian EnoëƵs writing assistance on the majority of the 10 tracks.
The latest effort is the 65-year-oldëƵs musical commentary on the confusing times we live in and the complex issues we struggle with as a society. ItëƵs an album about overcoming our fears as we search for hope and a better tomorrow. In other words, itëƵs classic Byrne.
On ëƵEvery Day Is a Miracle,ëƵ Byrne ponders what the world looks like from a chickenëƵs perspective as he sings, ëƵThe chicken thinks in mysterious ways/But beauty is not what weëƵre after/Now the chicken imagines a heaven/Full of roosters and plenty of corn.ëƵ
ëƵDogëƵs MindëƵ continues the animal theme with Byrne comparing people to dogs enjoying a little slice of paradise in a theme park all our own.
ëƵBulletëƵ finds Byrne taking a darker subject and transforming it into a hypnotic journey that rhythmically details the moment when life is stolen by announcing, ëƵThe bullet went into him/Through his heart with thoughts of you/Where your kisses he inhaled/The lies and the truth.ëƵ
At one time, Byrne was systematically burning down the house. With ëƵEverybodyëƵs Coming to My House,ëƵ heëƵs extending an open invitation to come over and linger by announcing, ëƵAnd everybodyëƵs coming to my house/And theyëƵre never gonna go back home.ëƵ
Fans can catch Byrne perform on May 13 when he makes a stop at PittsburghëƵs Benedum Center.
Clint Rhodes is the ëƵ-Standard music reviewer. He can be reached at clinton43@me.com.

