Music review: Jonny Lang – ëƵSignsëƵ
All signs indicate that Jonny Lang has another great album on his hands.
I simply loved 2013ëƵs ëƵFight for My SoulëƵ with its electrical-charged arrangements possessing shades of funk, blues, gospel and contemporary R&B. While ëƵFight for My SoulëƵ featured an engaging cross between John Legend and Prince, Lang gains inspiration for his new material from old-school blues influences like HowlinëƵ Wolf and Robert Johnson and at the same time still manages to infuse hints of PrinceëƵs alluring falsetto.
ëƵSignsëƵ demonstrates the 36-year-oldëƵs maturity since his platinum-selling second album ëƵLie to Me,ëƵ released when he was just 15. For his latest effort, Lang said he wanted to return to more of a guitar-driven sound with vintage blues aspects. Mission accomplished.
The album surprisingly opens with ëƵMake It Move,ëƵ a soul-bearing number that draws you in with a primal vibe of spontaneity and the message of going out and moving mountains, instead of waiting passively for good fortune and opportunities to find you.
ëƵSnakesëƵ follows with a heavy dose of guitar and plenty of attitude as Lang warns about being on guard for those evils and distractions that hide in the deeper grass for the opportunity to knock you off the chosen path.
ëƵLast Man StandingëƵ is a straightforward rock anthem that carries strong hints of the Foo Fighters, demonstrating that Lang can certainly cut loose with the best of rockëƵs guitarists at any given moment.
Lang throws two smooth-flowing tracks into the mix with the love song ëƵStronger TogetherëƵ and the tender yearnings to return from the road to the things that are truly treasured on ëƵBring Me Back Home.ëƵ
Lang reacts to the craziness displayed in todayëƵs world on the rousing ëƵBitter EndëƵ and the smoldering title track. The former number focuses on manëƵs knack for not learning from past mistakes and repeating them again and again, whereas the latter track reminds us that we canëƵt ignore the signs that something isnëƵt right.
The hymn-like presence of the beautiful and haunting ëƵSinging SongsëƵ gently closes the set with added strings that create a heavenly feel of hope, perseverance and triumph.
With a four-year gap between albums, ëƵSignsëƵ is LangëƵs most diverse offering and perhaps his best performance yet.
ëƵĔ
Clint Rhodes is the ëƵ-Standard music reviewer. He can be reached at clinton43@me.com.