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Music review: Joe Bonamassa – ëƵLive at Carnegie Hall: An Acoustic EveningëƵ

By Clint Rhodes for The 2 min read
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How do you get to Carnegie Hall? Practice of course. That classic joke certainly seems appropriate for the newest release by Joe Bonamassa. Plenty of practice first got a 12-year-old Bonamassa an opening gig with blues icon B.B. King back in 1989. The New York native has been on a roll ever since.

One of the worldëƵs most talented guitarists brings his nine-piece band to the legendary New York City concert hall for a spirited acoustic performance recorded during two evenings in January 2016.

IëƵve listened to a number of BonamassaëƵs live recordings, and I can honestly state that this stripped-down delivery of passionate blues numbers stands as my favorite.

With a lineup composed of Reese Wynans on piano, Anton Fig on drums, Eric Bazilian handling the mandolin, banjo and saxophone, backing vocalists Mahalia Barnes, Juanita Tippins and Gary Pinto as well as acclaimed cellist Tina Guo and percussionist Hossam Ramzy, BonamassaëƵs six-string wizardry is elevated to another level. As a result, ëƵLive at Carnegie Hall: An Acoustic EveningëƵ is one of the defining albums of BonamassaëƵs celebrated career.

The show opens with ëƵThis TrainëƵ from 2016ëƵs ëƵBlues of DesperationëƵ with Wynans on piano offering up a brief tease of Jethro TullëƵs ëƵLocomotive Breath.ëƵ From there, classic Bonamassa-penned tracks like ëƵDrive,ëƵ ëƵDust BowlëƵ and ëƵBlue and EvilëƵ serve as brilliant works of musical emotion by a man who knows more than a thing or two about the blues.

Versions of ëƵBlack Lung HeartacheëƵ and ëƵHow Can a Poor Man Stand Such Times and LiveëƵ are intensely touching, impassioned and even spiritual with BonamassaëƵs vocals standing front and center on these stirring performances.

The set closes with an eloquent cover of Leon RussellëƵs ëƵHummingbirdëƵ and a soulful reworking of ëƵThe Rose.ëƵ

With his latest effort, the contemporary blues virtuoso demonstrates that heëƵs at the top of his game and deserving to be mentioned in the same sentence, dare I say, as guitar god Eric Clapton.

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