Music review: Randall Bramblett – ëƵJuke Joint at the Edge of the WorldëƵ
Besides having a great title, the latest album from Randall Bramblett is a gritty collection of road-weary tracks detailing spicy stories about lifeëƵs adventures experienced off the beaten path.
ëƵJuke Joint at the Edge of the WorldëƵ is a nod to the small clubs and honky-tonks nestled in forgotten places and the colorful people who spend their hard-earned paychecks to lose themselves in a little friendly conversation, a lot of adult beverages and plenty of spirited music that reaches down and touches the soul.
The Georgia native issued his first solo effort with 1975ëƵs ëƵThat Other MileëƵ and has been racking up the musical miles as a solo act, session player and touring musician ever since.
An accomplished writer and multi-talented musician, Bramblett has worked alongside memorable artists such as Steve Winwood, Gregg Allman, Levon Helm, Robbie Robertson, Bonnie Raitt and Widespread Panic. He also played with Chuck Leavell in the jazz-rock fusion band Sea Level.
If you arenëƵt familiar with Sea Level, allow me to take a brief detour and suggest that you treat yourself to the bandëƵs 1977 eponymous debt release featuring ëƵRain in SpainëƵ and ëƵNothing Matters But the Fever.ëƵ
BramblettëƵs 11th studio release shakes the rust off the fenders with opener ëƵPlan B.ëƵ BramblettëƵs seasoned vocals feel right at home delivering the rousing track about exploring life without an agenda and, of course, no backup plan for when things go sideways.
ëƵPot Hole on Main StreetëƵ speaks to dealing with the daily struggles of trying to make ends meet, while ëƵGarbage ManëƵ offers up a funky take on simply enjoying the position and placement that life has dealt you.
ëƵTrippy Little ThingëƵ sounds like psychedelic Eric Clapton with hints of vintage Cream, whereas ëƵI Just DonëƵt Have the TimeëƵ serves as a smoldering blues number.
After over 40 years of performing, Bramblett pulls an unexpected surprise by recording his first cover track with a fine rendition of BeckëƵs ëƵDevilëƵs Haircut.ëƵ
ëƵDo You Want to Be FreeëƵ closes the set with a tender glimpse of hope and light surprisingly overtaking the dark gloom of the streets, proving that if you truly want to be free, donëƵt have a Plan B.
Clint Rhodes is the ëƵ-Standard music reviewer. He can be reached at clinton43@me.com.