Music review: Rick Wakeman – ëƵPiano PortraitsëƵ
ItëƵs no secret that I started the new year in a relaxed mode musically.
After listening to a large variety of classical music over the holidays, IëƵve carried that vibe with me into 2017.
The latest album from Rick Wakeman satisfies my appetite for continuing my search for a more tranquil tone to calm the soul.
IëƵve been a closet Yes fan since the early ëƵ70s and have acquired the bandëƵs entire discography for my listening pleasure. Wakeman became the groupëƵs keyboardist in 1971 and first appeared on ëƵFragile,ëƵ a masterpiece of progressive rock that is my favorite Yes effort.
ëƵClose to the EdgeëƵ and ëƵTales from Topographic OceansëƵ followed with WakemanëƵs distinctive playing and instantly won me over as a fan. On a side note, the album covers for these three glorious releases featured the gorgeous art designs of Roger Dean, further deepening my connection to the band. I even wore a belt buckle of the vintage Yes bubble logo while in middle school to display my obvious coolness.
Wakeman, a classically trained pianist, has also had a successful solo career by issuing over 90 albums since 1973. On his latest effort, Wakeman releases an engaging piano album that features arrangements from other artists that he previously appeared on and tracks that influenced him over the course of his distinguished career.
ëƵHelpëƵ opens the album with Wakeman giving the Lennon and McCartney track a tender charm that flows fluidly until closing with a small hint of ëƵLucy in the Sky with DiamondsëƵ and adding a nostalgic reminder of the crossover appeal of the Beatles. Wakeman continues to pay tribute to the Fab Four with ëƵEleanor RigbyëƵ as the closing selection.
The haunting power of ëƵStairway to HeavenëƵ slowly builds in intensity as WakemanëƵs playing infuses a spiritual serenity to the classic Led Zeppelin anthem.
Wakeman does a masterful job of capturing the true intentions of 10ccëƵs ëƵIëƵm Not in Love,ëƵ relaying the eternal optimism of YesëƵ ëƵWonderous StoriesëƵ and painting the simple beauty of Cat StevensëƵ ëƵMorning Has Broken.ëƵ
My favorite track is an enchanting reworking of ëƵLife on Mars?ëƵ from David BowieëƵs ëƵHunky Dory.ëƵ Wakeman also does a splendid interpretation of BowieëƵs ëƵSpace Oddity.ëƵ
Other highlights include WakemanëƵs glorious versions of ëƵAmazing Grace,ëƵ ëƵSwan LakeëƵ and ëƵClair de Lune.ëƵ
ëƵPiano PortraitsëƵ eloquently displays WakemanëƵs genius and serves as a one-man work of true musical magnificence.