Music review: Shelby Lynne & Allison Moorer – ëƵNot Dark YetëƵ
When two engaging singers like Shelby Lynne and Allison Moorer join forces, you can certainly bet that the result is going to command your undivided attention. Both singers caught my attention on two previous releases.
LynneëƵs sultry vocals were mesmerizing during her tribute to Dusty Springfield on ëƵJust a Little Lovin'ëƵ released in 2008, while her 2010 duet with Peter Wolf on ëƵTragedyëƵ remains one of my personal favorite tracks by both artists.
MoorerëƵs ëƵDown to BelievingëƵ from 2015 simply blew me away with the singer-songwriterëƵs engaging confessional that examined her experiences concerning love, acceptance, heartache and healing.
With ëƵNot Dark Yet,ëƵ the talented sisters deliver their first collective effort together. The new album finds Lynne and Moorer adding their own distinct Southern harmonies to nine covers from artists such as Townes Van Zandt, Merle Haggard, Bob Dylan and Jessi Colter as well as a moving original track.
The KillersëƵ ëƵMy ListëƵ opens the album with a stirring sense of love and vulnerability and seamlessly transitions into the heartbreaking and fragile interpretation of the Louvin BrothersëƵ ëƵEvery Time You Leave.ëƵ
Dylan is well represented on the title track and ColterëƵs ëƵIëƵm Looking for Blue EyesëƵ is eloquently performed.
However, itëƵs a cover of Nick CaveëƵs ëƵInto My ArmsëƵ that steals the show with a haunting, honest and beautiful tone crafted by the sisters on this tender love ballad.
With the abundance of great material covered, there is one song that appears oddly out of place and out of the comfort zone of Lynne and Moorer.
Kurt CobainëƵs ëƵLithiumëƵ is one of my favorite Nirvana numbers, second only to ëƵSmells Like Teen Spirit.ëƵ CobainëƵs gritty vocals fueled the dark lyrics of self-loathing and depression. Unfortunately, the latest revision fails to completely capture the desperate feelings of alienation and isolation detailed by Cobain. ItëƵs a minor hiccup with Lynne and Moorer quickly rebounding on the lone original track ëƵIs It Too Much.ëƵ
The deeply personal arrangement penned by the sisters expresses years of dealing with the tragic loss of their parents and the emotional scratches and scars that still remain. The song is Lynne and Moorer at their very best and begs for both sisters to continue to collaborate on more material moving forward.
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Clint Rhodes is the ëƵ-Standard music reviewer. He can be reached at clinton43@me.com.

