Music review: Elton John – ëƵWonderful Crazy NightëƵ
IëƵve been an Elton John fan ever since I first heard 1972ëƵs ëƵHonky Chateau,ëƵ featuring the stirring ëƵRocket ManëƵ and the winsome ëƵMona Lisas and Mad Hatters.ëƵ
Like the majority of my early musical influences, this 1972 effort from the flamboyant Englishman was ëƵborrowedëƵ from my oldest brotherëƵs album collection. A year later, the release of ëƵGoodbye Yellow Brick RoadëƵ continued my fascination with JohnëƵs astute musical flair and engaging lyrical prowess. By the time ëƵCaptain Fantastic and the Brown Dirt CowboyëƵ hit the scene in 1975, I became completely hooked and would eagerly await every new album.
With JohnëƵs 33rd studio release, my expectations were high for what the 68-year-old singer would have left in his bag of tricks. T Bone Burnett returns to oversee the material after successfully producing JohnëƵs last solo effort as well as the 2010 collaboration between John and Leon Russell on ëƵThe Union.ëƵ
Celebrating nearly 50 years of songwriting together, John and Bernie Taupin weave a wonderfully up-tempo set of soulful scenarios that flow with the ease of two artists who share a magical bond and musical vision.
Many of the lyrical arrangements harken back to the extraordinary work that John and Taupin composed on 1970ëƵs ëƵTumbleweed Connection.ëƵ
For the first time since 2006ëƵs ëƵThe Captain & the Kid,ëƵ John records with this superb touring band along with longtime bandmates Nigel Olsson on drums and Davey Johnstone on guitar.
Highlights include the rousing title track, the graceful ëƵIn the Name of You,ëƵ the charming ëƵBlue WonderfulëƵ and the simplistically elegant ëƵTambourine.ëƵ
On my favorite track, JohnëƵs piano and JohnstoneëƵs guitar playfully joust on the spirited ëƵLooking UpëƵ as John declares, ëƵIëƵm looking up more than I look down.ëƵ
ëƵEngland and AmericaëƵ closes out the deluxe edition with a guitar-driven vigor reminiscent of the classic ëƵSaturday NightëƵs Alright for Fighting.ëƵ
ëƵWonderful Crazy NightëƵ displays a delightful resurgence for an artist not yet ready to go gently into that good night.
Clint Rhodes is the ëƵ-Standard music reviewer. He can be reached at crhodes@heraldstandard.com.