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Music review: Megadeth – ëƵDystopiaëƵ

By Clint Rhodes for The 2 min read
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During my senior year of college, I picked up a copy of MegadethëƵs ëƵPeace Sells ëƵ But WhoëƵs Buying?ëƵ for my first taste of thrash metal. The 1986 release showcased the groupëƵs menacing metal at its very best with a killer cut of ëƵPeace Sells.ëƵ

At the time, peace may have been selling but in todayëƵs Megadeth world, paranoia is the new trend. Opening with the ominous ëƵThe Threat Is Real,ëƵ fear is an accelerant that fuels the searing lyrics with frontman Dave Mustaine warning, ëƵThe vultures have come home to nest.ëƵ

After the lackluster appeal of 2013ëƵs ëƵSuper Collider,ëƵ MegadethëƵs 15th studio release is a blistering re-emergence and the bandëƵs best album since 2004ëƵs ëƵThe System Has Failed.ëƵ

The opposite of utopia, the albumëƵs name refers to a society characterized by poverty, oppression and human misery. ëƵThereëƵs panic and thereëƵs chaos rampant in the streets/Where useless thoughts of peace are met with rage,ëƵ snarls Mustaine on the haunting title track.

MustaineëƵs apocalyptic and menacing lyrics match the rapid-fire intensity of the music as each arrangement ushers listeners to the brink of exhaustion.

Helping Mustaine deliver his politically charged views is bassist David Ellefson and new guitarist Kiko Loureiro of the band Angra and Lamb of God drummer Chris Adler. With the current lineup, the band masterfully unleashes vintage metal anthems with a renewed zest and sharpened focus.

The sinister ëƵPoisonous ShadowsëƵ is as chilling as a distant death rattle while ëƵPost American WorldëƵ describes the world with the absence of AmericaëƵs influence and strength.

Megadeth draws the curtain with muscles flexed and fists clenched during a pulse-pounding cover of FearëƵs ëƵForeign Policy.ëƵ

ëƵDystopiaëƵ leaves little doubt about the bandëƵs intentions of delivering a thrashing audio assault for many years to come.

Clint Rhodes is the ëƵ-Standard music reviewer. He can be reached at crhodes@heraldstandard.com.

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