Music review: Neil Young – ëƵPeace TrailëƵ
With 2016 coming to a gracious close, I decided to write this weekëƵs music review about the latest album by an artist who left an impact on me during my early teenage years.
My fondness for Neil Young began with my first listen of 1972ëƵs ëƵHarvestëƵ and continued to grow with ëƵLong May You RunëƵ from 1976 and ëƵComes a TimeëƵ in 1978.
Even today, I am reminded of how I would rummage through my oldest brotherëƵs album collection to discover the ëƵinëƵ music to listen to at the time.
ëƵAfter the Gold RushëƵ was one of the albums I would try to impress my friends with by knowing tunes like ëƵOnly Love Can Break Your Heart,ëƵ ëƵWhen You Dance I Can Really LoveëƵ and ëƵSouthern Man.ëƵ
ëƵPeace TrailëƵ is YoungëƵs second release this year and serves as a social and environmental commentary about the ever-changing world around us. Recorded in under a week, the new album finds the 71-year-old singer-songwriter comfortably easing into his 10-song set with a stripped-down sound recorded with drummer Jim Keltner and bassist Paul Bushnell.
ëƵIndian GiversëƵ focuses on the Dakota Access Pipeline protests with Young singing, ëƵThereëƵs a battle raginëƵ on the sacred land/Our brothers and sisters had to take a stand.ëƵ
ëƵJohn OaksëƵ tells the story of taking a firm stand for what you believe in, even though it sometimes has dire consequences.
ëƵTerrorist Suicide Hang GlidersëƵ not only has a cool title, but presents an interesting perspective on the increasing fear of foreigners and heightened paranoia fostered from the unfamiliar.
ëƵCanëƵt Stop Workin'ëƵ temporarily veers away from the protest theme to provide a little insight into YoungëƵs musical drive by announcing, ëƵItëƵs bad for the body/But itëƵs good for the soul/Might even keep you breathing/When you lose control.ëƵ
ëƵMy New RobotëƵ closes the album in a weird sort of way by describing the peculiar relationship between man and a complete technology takeover.
There is nothing here as weighty as ëƵOhioëƵ from 1970, but Young still manages to get his message across clearly without raising his voice.
Clint Rhodes is the ëƵ-Standard music reviewer. He can be reached at crhodes@heraldstandard.com.