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Music review: Santana – ëƵSantana IVëƵ

By Clint Rhodes for The 3 min read
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My earliest memories of Santana are fondly recalled from the bandëƵs electrifying performance at Woodstock in 1969. No, I wasnëƵt there. I was only five years of age at the time. But a few years later, my oldest brother would defiantly blast his vinyl copy of the festival soundtrack on the family stereo console for all the neighbors to hear whenever our parents were out of the house.

Songs like ëƵGoing Up the CountryëƵ by Canned Heat, ëƵIëƵm Going HomeëƵ from Ten Years After and ëƵFreedomëƵ by Richie Havens would consume our street and continue to fuel my early interest in all musical styles.

Of all the Woodstock performances, SantanaëƵs ëƵSoul SacrificeëƵ was the one track that always stood out for me. Over the next 20 years, I could always satisfy my Santana fix by borrowing an album or two from my brotherëƵs extensive record collection.

For SantanaëƵs latest studio release, Carlos Santana looks to recapture the classic Latin-tinged rock style showcased on 1971ëƵs ëƵSantana III,ëƵ which delivered such memorable arrangements as ëƵBatuka,ëƵ ëƵNo One to Depend OnëƵ and ëƵEverythingëƵs Coming Our Way.ëƵ

Forty-five years later, the legendary guitarist performs with his original lineup from SantanaëƵs third release featuring percussionist Michael Carabello, organist and lead vocalist Gregg Rolie, drummer Michael Shrieve and guitarist Neal Schon. Both Rolie and Schon would leave the band in 1973 to form Journey, and after the addition of vocalist Steve Perry for 1978ëƵs ëƵInfinity,ëƵ Journey would go on to become one of the most popular rock bands of the early 1980s.

From the opening notes of the funky ëƵYambuëƵ to the tender closing of ëƵForgiveness,ëƵ ëƵSantana IVëƵ carries a vibrant energy as the band picks up right where it left off by delivering another stirring set of spirited songs possessing elements of blues, rock and Latin flavorings earlier offered on SantanaëƵs first three albums.

The first single, ëƵAnywhere You Want to Go,ëƵ carries the same infectious vibe of ëƵOye Como VaëƵ as RolieëƵs still stellar voice offers an open invitation singing, ëƵSo tell me what you want to do/And where you want to go/We can fly, we can drive, we could walk, baby/I donëƵt know.ëƵ

The impassioned guitar work of Santana and Schon sizzles and shines on the instrumental tracks ëƵFillmore EastëƵ and ëƵEchizo,ëƵ while Ronald Isley makes a guest vocal appearance on ëƵLove Makes the World Go RoundëƵ and ëƵFreedom in Your Mind.ëƵ

The universal sound of vintage Santana is reborn on the 16 new tracks, evoking memories from that special period of ëƵThree Days of Peace and MusicëƵ when the band stepped on stage and introduced themselves to the world.

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