Music review: Rob Thomas – ëƵThe Great UnknownëƵ
On his third solo effort, Rob Thomas covers familiar ground found on his previous solo releases as well as material from his own band.
As the frontman for Matchbox Twenty, the Florida band became a pop-rock staple from 1996 to 2012 by releasing a palpable collection of mainstream rock that featured catchy riffs, infectious choruses and memorable melodies.
As a solo artist, Thomas blends pulsating dance grooves and snappy sing-along choruses dripping with pop sensibilities. ëƵThe Great UnknownëƵ is a well-crafted collection that displays ThomasëƵ passion to deliver arrangements with a diverse sound and appeal.
ëƵI Think WeëƵd Feel Good TogetherëƵ opens the album in rousing fashion. The energetic arrangement is a guilty pleasure that draws you in with soaring electronic synth and a flirtatious dance mix infused with a heavy flavoring of Maroon 5ëƵs sexy style.
ëƵTrust You,ëƵ co-written with OneRepublicëƵs Ryan Tedder, serves as the lead single and follows with more techno influence smothered in a radio-friendly format that lingers in your head long after the melody ends. The signature sound offered by Matchbox Twenty is found on the sweet-sounding tracks ëƵHold On Forever,ëƵ ëƵOne ShotëƵ and ëƵHeaven Help Me,ëƵ while the title track is an inspirational and atmospheric number penned by Thomas highlighting the strength and grace of his wife.
One of the biggest surprises on the album can be heard on ëƵPaper Dolls.ëƵ The haunting track about a destructive and crumbling relationship features Ruth-Anne Cunningham. ëƵBetter not look down/Cause itëƵs gonna be a long way to fall/This is our last chance/And itëƵs everything or nothing at all,ëƵ ominously warns the Irish singer with an engaging voice reminiscent of Amy Lee of Evanescence.
The finest moment of the release comes on the closing ëƵPieces.ëƵ
The fragile ballad brings things to a simplistic and moving finish with passionate lyrics brought to life by ThomasëƵ tender vocals, gentle piano and soothing orchestration.
ëƵThe Great UnknownëƵ is yet another resounding triumph for Thomas and convincingly proves heëƵs much more than a one-trick pony.
Clint Rhodes is the ëƵ-Standard music reviewer. He can be reached at crhodes@heraldstandard.com.