Music review: Bryan Adams – ‘Get UpëƵ
On the song ëƵSummer of ëƵ89,ëƵ Butch Walker cleverly confesses, ëƵSmothering the cover of a ëƵ69 summer/Played through a speaker of fuzz/Nobody knew Bryan Adams wasnëƵt cool/The TV just told me he was.ëƵ
Propelled by regular video play on MTV and the blockbuster album ëƵReckless,ëƵ Bryan Adams seemed to be everywhere in 1984 delivering hits like ëƵSummer of ëƵ69,ëƵ ëƵRun to You,ëƵ ëƵItëƵs Only LoveëƵ and ëƵSomebody.ëƵ IëƵll admit, I thought the Canadian rocker was pretty cool in his jeans, white T-shirt and black leather jacket. And I still do.
ëƵGet UpëƵ is the singer-songwriterëƵs 13th studio album and serves as a departure from his last effort of cover songs that inspired him to become a musician on ëƵTracks of My Years.ëƵ Produced by Jeff Lynne, the new material has the Electric Light Orchestra frontmanëƵs signature sound masterfully weaved into each track and could have easily been a Lynne solo release. For his first set of original songs since 2008, Adams co-wrote all the tracks with his longtime collaborator Jim Vallance.
The kick-off number has a rockabilly influence that possesses a mellow sound reminiscent of a smooth blending between Tom Petty and Traveling Wilburys.
ëƵGo Down Rockin'ëƵ follows with a gritty defiance as Adams expresses that heëƵs never slowing down as he declares, ëƵIf you got a problem, better tell me to my face.ëƵ
Over his career, Adams has released his share of great ballads. ëƵWe Did It AllëƵ is another tender number that follows in the footsteps of ëƵ(Everything I Do) I Do It for YouëƵ and ëƵHeaven.ëƵ
ëƵBrand New Day,ëƵ the albumëƵs first single, is a melodic rocker that effortlessly captures the vibe of other classic Adams and Vallance penned songs from 1983ëƵs ëƵCuts Like a Knife.ëƵ
The only blemish to ëƵGet UpëƵ is its brevity. Of the albumëƵs 13 tracks, four are acoustic versions of songs already covered on the album.
Considering the time between albums containing new material, it would have been more satisfying to hear just a little more of AdamsëƵ infectious, straightforward pop-rock offerings. In the end, Adams delivers just enough of the goods to keep fans happy and reinforces that if and when heëƵs ready to call it a career, heëƵll do it going out rocking.
Clint Rhodes is the ëƵ-Standard music reviewer. He can be reached at crhodes@heraldstandard.com.