Music review: Mumford & Sons – ëƵWilder MindëƵ
Sounding like a harmonious blending of ColdplayëƵs airy tone, the relaxed coolness of Dave Matthews and the earthy bravado of Kings of Leon, the latest album from Mumford & Sons is a major musical departure from 2012ëƵs ëƵBabel.ëƵ
While ëƵBabelëƵ was a huge commercial and critical success, I was still hesitant to jump on the bandwagon. With the release of ëƵWilder Mind,ëƵ IëƵm completely on board with a front-row seat to enjoy the entertaining excursion.
For the new material, gone is the banjo, folksy acoustic guitar chords and kick drum, replaced with the hum of electric guitars, full drum kit and calming keyboards delivering a serene layering of synth chords resulting in a more expansive sound. New producer James Ford (Arctic Monkeys and Florence + The Machine) was brought in to oversee the British quartetëƵs most collaborative effort to date, with every member participating in the creative process.
ëƵTompkins Square ParkëƵ opens the album in commanding style as Marcus Mumford sings about a crumbling partnership and the desperate attempt to find a successful healing solution.
The albumëƵs first single, ëƵBelieve,ëƵ finds the band taking a cue from Coldplay and Snow Patrol by delivering a soft, stirring synthesizer aura comfortably layered with guitar and piano chords as MumfordëƵs passionate vocals describe the hurt, confusion and frustration of a relationship experiencing a communication breakdown.
Led by driving electric bass, ëƵThe WolfëƵ is undeniable proof that abandoning the unplugged approach was the right move at the right time. Hypnotic tracks like ëƵJust SmokeëƵ and ëƵBroad-Shouldered BeastsëƵ best illustrate the bandëƵs new style, while ëƵDitmasëƵ has quickly become my favorite arrangement with its soaring chorus and glorious guitar riffs.
Change is inevitable. For Mumford & Sons, change leads to progress and the start of a new adventure.
Clint Rhodes is the ëƵ-Standard music reviewer. He can be reached at crhodes@heraldstandard.com.