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Music review: Grace Potter – ëƵMidnightëƵ

3 min read
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ëƵForgive me if IëƵm not myself tonight,ëƵ announces Grace Potter on the opening track of her first solo release. ItëƵs almost as if she is bracing devoted fans for what is to follow.

The vivacious frontwoman for Grace Potter and the Nocturnals the last 13 years goes it alone by changing her musical direction similar to U2ëƵs unexpected techno offerings highlighted on ëƵPop.ëƵ

The 32-year-old Vermont native abandons her earthy blues-rock style for a fashionable pop-dance vibe reminiscent of early Madonna.

The soulful swagger found on previous Potter tracks like ëƵMedicine,ëƵ ëƵHot Summer NightëƵ and ëƵParis (Ooh La La)ëƵ from her bandëƵs 2010 passionate effort is now replaced by synth-driven tracks filled with pulsating dance beats and seductive charm. Over the years, Potter has always demonstrated plenty of flirtatious swagger to go along with a great set of pipes.

On ëƵMidnight,ëƵ Potter gets adventurous with a set of arrangements possessing a stylish sex appeal that is intoxicatingly hypnotic. ëƵYou struck the match and now I canëƵt control myself,ëƵ confesses Potter on ëƵHot to the Touch.ëƵ The infectious bass grooves of ëƵAlive TonightëƵ and ëƵYour GirlëƵ lead into the tasty tone of ëƵDeliriousëƵ with its playful mixture of Bananarama adorability. PrinceëƵs signature style of sophisticated funk overruns the slick ëƵLook What WeëƵve BecomeëƵ and ëƵBiggest FanëƵ oozes of teasing seduction once delivered by BerlinëƵs Terri Nunn in her prime.

If youëƵre not familiar with Nunn, I strongly urge you to give a listen to 1984ëƵs ëƵLove Life.ëƵ Not every tune is drenched with glossy production and sugary satisfaction. ëƵInstigatorsëƵ is a rousing rocker that explodes into an exuberant anthem filled with plenty of punch and fiery attitude. Shades of Sheryl Crow can be found on the pop tracks ëƵEmpty HeartëƵ and ëƵNobodyëƵs Born With a Broken Heart.ëƵ

For all its glorious moments of sleek sensuality, the albumëƵs brightest triumph is delivered on the final number. ëƵLet You GoëƵ is a soaring ballad about coming to terms with loss and showcases PotterëƵs extraordinary voice by bringing the set to a moving and gratifying close.

With ëƵMidnight,ëƵ Potter makes a flashy statement that sheëƵs ready, willing and able to conquer a variety of musical styles without hesitation.

Potter comes to Pittsburgh on Oct. 6 for a Stage AE performance.

Clint Rhodes is the ëƵ-Standard music reviewer. He can be reached at crhodes@heraldstandard.com.

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