Counting Crows – ‘Somewhere Under WonderlandëƵ
It was 21 years ago that a good friend of mine introduced me to the debut release by the Counting Crows, ëƵAugust and Everything After.ëƵ Since that time, I have collected every album by the California band and attended numerous live performances.
To say that IëƵm a huge fan would be a gross understatement. After patiently waiting six years for a new set of original material from the alternative rockers, my expectations were high as I anxiously played the opening track. ëƵPalisades ParkëƵ is chaotically beautiful with its various tempo shifts and descriptive lyrics that fondly drip of sentimental longing and change.
Clocking in at over an engrossing eight minutes, the opener sets the stage for the spontaneity and complexity of the arrangements to follow. Frontman Adam Duritz could sing a restaurant menu and make it sound enchantingly reflective and absorbing.
HeëƵs always had a magical way of making complicated subjects sound simple, clear and promising.
ëƵEarthquake DriverëƵ follows with a dramatic splash of curious whimsy, while the vivacious tone of ëƵDislocationëƵ is unrelenting and spirited as the number mirrors the intensity of ëƵAngels of the SilencesëƵ from 1996ëƵs ëƵRecovering the Satellites.ëƵ
Arrangements like ëƵGod of Ocean TidesëƵ and ëƵCover Up the SunëƵ exude the gentle touches of country and folk witnessed on the bandëƵs cover of the Grateful DeadëƵs ëƵFriend of the DevilëƵ from ëƵEchoes of the Outlaw Roadshow.ëƵ
Closing the album is the piano-driven ëƵPossibility DaysëƵ with moving imagery that harkens back to earlier lyrical treasures like ëƵPerfect Blue BuildingsëƵ and ëƵSullivan StreetëƵ from the bandëƵs debut release.
ëƵThe best part of a bad day is knowing itëƵs okay,ëƵ assuredly sings Duritz with a confidence and innocence that feels like a tender, unexpected embrace.
ëƵSomewhere Under WonderlandëƵ delivers a unique blend of hearty hooks, colorful lyrics and masterful musicianship, establishing it as one of the bandëƵs finer moments.
Clint Rhodes is the ëƵ-Standard music reviewer. He can be reached at crhodes@heraldstandard.com.

