Music review: Loverboy – ëƵUnfinished BusinessëƵ
LoverboyëƵs latest release features the veteran Canadian rockers sounding completely refreshed and satisfied. Forty years in the making, ëƵUnfinished BusinessëƵ boasts an impressive set of unfinished demos from various stages of the bandëƵs career.
These re-recorded songs masterfully mirror LoverboyëƵs signature sound from albums like 1981ëƵs ëƵGet LuckyëƵ and 1985ëƵs ëƵLovinëƵ Every Minute of It.ëƵ Having purchased the bandëƵs self-titled debut album back in 1980, I was immediately impressed with how well the band has held up over the years.
With vigorous tracks like ëƵTurn Me Loose,ëƵ ëƵHot Girls in Love,ëƵ ëƵWorking for the WeekendëƵ and ëƵWhen ItëƵs OverëƵ on LoverboyëƵs resume, I was hoping for the best but prepared for disappointment. Any doubts were quickly dispelled on the albumëƵs opening number.
Led by the scorching guitar riffs of Paul Dean, Mike RenoëƵs still-youthful vocals and catchy chorus, ëƵFire Me UpëƵ is a tasty throwback to the slick arena rock of the 1980s. Pumping bass and synthesizer highlight rousing songs like ëƵCountinëƵ the Nights,ëƵ ëƵAinëƵt Such a Bad ThingëƵ and ëƵYou Play the Star.ëƵ The standout track is surprisingly delivered on ëƵSlave.ëƵ
The electrifying number shines with an absorbing feel reminiscent of Deep PurpleëƵs ëƵBurnëƵ and ëƵHighway Star,ëƵ proving Loverboy can kick it into a higher gear when needed. Unfortunately, not every song on the album strikes a favorable note. The power ballad ëƵCome UndoneëƵ and the overly dramatic ëƵWar BrideëƵ should have been left unfinished and forgotten.
LoverboyëƵs fans played a major role in selecting the name of the new album by voting on Facebook.
Inducted into the Canadian Music Hall of Fame in 2009, Loverboy still seems to be loving every minute in the spotlight.
Clint Rhodes is the ëƵ-Standard music reviewer. He can be reached at crhodes@heraldstandard.com.

