Music review: Robert Cray – ëƵIn My SoulëƵ
As I was finishing up my senior year of college back in 1986, I stumbled across Robert CrayëƵs ëƵStrong PersuaderëƵ at the campus bookstore.
Driven by the hit ëƵSmoking GunëƵ and an ample amount of MTV airplay, the blues guitarist and singer had finally hit the big time with his signature style of contemporary blues. With the release of his 17th studio album, the five-time Grammy Award-winner and Blues Hall of Fame inductee explores the Memphis sound issued by record labels like Chess and Stax.
ëƵIn My SoulëƵ offers a delicious mix of original arrangements and well-chosen covers. Cray gives a nod to some of his early influences by skillfully interpreting Otis ReddingëƵs ëƵNobodyëƵs Fault But Mine,ëƵ Lou RawlsëƵ ëƵYour Good Thing (Is About to End)ëƵ and Bobby ëƵBlueëƵ BlandëƵs ëƵDeep in My Soul.ëƵ
The album opens with some piercing guitar work and soulful singing on the Cray-penned ëƵYou Move Me.ëƵ Horns usher in the R&B funk of the retro-sounding ëƵI Guess IëƵll Never Know,ëƵ while ëƵFine YesterdayëƵ features CrayëƵs smooth and sophisticated crooning. The instrumental ëƵHip Tight OnionsëƵ is a rousing and fun tribute to the sound of Booker T. and the MGs.
The elegantly warm and inviting ëƵPillowëƵ brings the album to a gracious close. Cray, who has sold more than 12 million records and sports a personalized line of Fender guitars, navigates the new collection of passionate and lively arrangements with the same flair and finesse found on early albums like 1983ëƵs ëƵBad InfluenceëƵ and 1990ëƵs ëƵMidnight Stroll.ëƵ
Cray certainly has come a long way since his uncredited appearance as the bassist for Otis Day and the Knights in the 1978 film ëƵAnimal House.ëƵ Forty years have passed since the formation of the Robert Cray Band, but Cray shows no signs of suppressing the sweet sounds of his stylish soul anytime soon.

