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Music review: Asia – ëƵGravitasëƵ

By Clint Rhodes for The 2 min read
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Asia - ëƵGravitasëƵ

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Rhodes

In 1982, AsiaëƵs debut album was released and went on to become the best-selling album of the year. Fueled by mega-hits like ëƵHeat of the Moment,ëƵ ëƵOnly Time Will TellëƵ and ëƵSole Survivor,ëƵ the supergroupëƵs sound quickly transformed me into a huge fan.

Thirty-two years later, the progressive rock band offers a new collection of arrangements possessing AsiaëƵs trademark sound. ëƵGravitasëƵ is the follow-up to ëƵXXX,ëƵ the bandëƵs comeback release commemorating AsiaëƵs 30th anniversary.

Over the years, the band has experienced several lineup changes. Most recently, Steve Howe left to reunite with Yes and pursue side projects, leaving original members John Wetton, Carl Palmer and Geoff Downes to find a new guitarist.

The highly recommended Sam Coulson makes a seamless transition as the bandëƵs latest addition. The 27-year-old guitar whiz instantly infuses a guitar-driven texture displayed on numbers like ëƵNyctophobiaëƵ and ëƵHeaven Help Me Now.ëƵ All the new material was written and produced by Wetton and Downes.

As a result of the duoëƵs meticulous attention to detail, the album possesses a fresh energy and focused purpose.

The title track radiates a nostalgic vibe through its haunting harmonies, soaring keyboard textures and poignant lyrics about a failing relationship.

ëƵValkyrie,ëƵ inspired from Norse mythology, opens the album with WettonëƵs voice still sounding as majestic as ever.

The stirring ëƵI Would Die for YouëƵ contains traces of the older classics ëƵDonëƵt CryëƵ and ëƵHere Comes the Feeling.ëƵ

The album closes with the passionate ëƵTill We Meet Again,ëƵ once again serving as a reminder of the glory days when songs like ëƵThe Smile Has Left Your EyesëƵ and ëƵGoëƵ ruled radio. As expected on any Asia album, the musicianship is magnificent and the writing wondrous, making the bandëƵs 14th studio release another richly layered gem.

Following a longstanding tradition, the intoxicating art of Roger Dean is prominently showcased on the album cover.

If the artwork style looks familiar, DeanëƵs art has also regularly appeared on covers for bands such as Yes and Uriah Heep.

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