ëƵ

close

David Bowie ëƵ ëƵThe Next DayëƵ

By Clint Rhodes 3 min read
article image -

After a decadeëƵs silence, the man who sold the world returns to the music mix with his best effort since 1980ëƵs ëƵScary Monsters.ëƵ Word of David BowieëƵs latest album was abruptly announced on his 66th birthday.

Adding to the Thin White DukeëƵs mystique, the material was recorded in New York over a two-year period shrouded in secrecy with producer and longtime Bowie collaborator Tony Visconti.

The extraordinary vision of Bowie is showcased by a retro sound created during his time spent in Germany during the late ëƵ70s, producing the enthralling albums ëƵLow,ëƵ ëƵHeroesëƵ and ëƵLodger.ëƵ

The surrealism and experimentation contained on these three albums can be distinctively heard on the first single ëƵWhere Are We Now?ëƵ

This fragile ballad is a nostalgic look back at the peak of his Berlin-period creativity, collaborating and carousing with Iggy Pop and Brian Eno.

Even the cover art is a modified version of ëƵHeroes,ëƵ adding another cheeky nod to his influential stay in the fractured city.

The title track possesses the feel of Mick RonsonëƵs spirited guitar riffs first introduced on 1972ëƵs ëƵThe Rise and Fall of Ziggy Stardust and the Spiders from Mars.ëƵ

The arrangement features BowieëƵs double-tracked vocals and the sophisticated style structure of vintage Roxy Music and Talking Heads. The grittiness of ëƵDirty BoysëƵ is supported by Steve ElsonëƵs sinister and sexy baritone sax solo as Bowie reminisces about growing up in the working class neighborhoods of London.

ëƵYou Feel So Lonely You Could DieëƵ is a melodramatic ballad about isolation and depression with Bowie delivering a hauntingly melodic vocal performance. While most of the material is on the darker side, Bowie manages to brilliantly disguise the troubling lyrics of ëƵValentineëƵs DayëƵ through an engaging pop arrangement that at its essence is pure glam rock.

The anti-war anthem ëƵIëƵd Rather Be HighëƵ deals with a solider wishing he was any place other than on the battlefield.

Bowie later follows up with another combat-related number ëƵHow Does the Grass Grow?ëƵ which derives its name from a British soldierëƵs WWII chant.

References to the power and influence of Bob Dylan and the creative Greenwich Village scene of the ëƵ60s are highlighted on ëƵ(You Will) Set the World on Fire.ëƵ

As is often the case with BowieëƵs music and his intended messages, the listener needs to take the time to slowly peel back the various layers to allow each component to be absorbed and fully appreciated.

ëƵThe Next DayëƵ solidifies the StarmanëƵs surprising comeback and proves once again heëƵs an adapting musical chameleon.

CUSTOMER LOGIN

If you have an account and are registered for online access, sign in with your email address and password below.

NEW CUSTOMERS/UNREGISTERED ACCOUNTS

Never been a subscriber and want to subscribe, click the Subscribe button below.

Starting at /week.